Katrin and Jürgen spend their holidays in Corsica. Katrin is in her mid-thirties, working as a tracer at Jürgen’s company who suddenly remembers he’s married – but not with Kathrin. So they decide to end their vacation earlier than they had planned. Virtually a second before they start to drive back to the airport, Katrin takes her belongings out of Jürgen’s car again and lets him go. Now being alone for the remaining days of her vacation, Katrin finds herself more and more bewildered by the things that happened to her.

With his kids running riot on a Sunday morning a tired father tries to find space to contemplate the world by posing them a puzzle. The solution they find outreaches his expectation.

In this silly soft-core sex comedy, Tony Kenyon is Custer Firkeshaw, the owner of a girlie magazine. He stands to inherit a fortune… If he can get married and have a baby within a year. When he (and his relatives) find out from his doctor that he only has 13 more…uh, attempts-at-procreating left in him, the relatives set out to ensure that he uses them all up, so that they can inherit the property.

Marseille, July 1905. Nearly a teenager, Marcel Pagnol embarks in his last summer vacation before high school and returns, at last, to his beloved hills in Provence. What begins as a summer of boyhood adventures becomes one of the first loves, and unearthed secrets.

Behind-the-scenes look at more than three decades of the James Bond feature film series.

Myung-eun can't comprehend the word "family". She wishes to keep it a secret because she is so different from what she would like to be. When it comes to writing, on the other hand, she does not allow herself to be restricted by reality.

A special reenacting of the experiences of people who have seen first hand the power of psychic phenomenon in their lives. A mother finds justice for a lost child and closure through clairvoyance, a woman's ulcer is healed through hypnosis, and a priest heals through transmutation.

The Secrets of Ryusoulger transformation course video gives an advance look at the Ryusooul Changer, Ryusouls, Ryusoul Ken and Kishiryuoh!!

A bush party goes wrong.

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).